History is always moving in unexpected ways. The paradox of the return of mural painting, the oldest of all media, in the era of the Internet and because of the Internet might well oblige us to change all of our parameters in reading art history. Is it possible that because of its exceptionality, painting is one of the most recognizable manifestations that you can find on the Net, and as such, is the only artistic medium around which it will be possible to create an audience?
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